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The powerful do not wait for events such as a pandemic to happen and then exploit; instead, they create the events, which are scripted for a predetermined outcome. But the masses must be kept in the dark about the real motives, while being steered into supporting policies that are against their interests. The modus operandi features the following means of deception.
1. Dual messaging
There are two audiences for public announcements and media reports on events. The vast majority ('normies') are told the official story and believe what they are told. They know it happened, because they saw it on 'the news'. There is also a minority of critical thinkers, who the authorities know will ask questions and suspect that the narrative is not the full truth. These people are led to believe a parallel story.
For example, as David Fleming and I wrote on the Covid-19 'psy-op', critical thinkers (who are mostly not as critical as they like to think) were given clues about the virus being leaked from the Wuhan Institute of Virology in China. Unwittingly, these self-limited sceptics reinforced the hoax of a novel and deadly pathogen (they believed that mortality was exaggerated but couldn't see that the whole show was staged).
Another example was the 'assassination' of Charlie Kirk. People saw it on the internet or television in shocking detail. The story for the masses was that a leftist 'tranny' fired the shot from the roof of a nearby building. Critical thinkers were fed another story: that Kirk had been criticising Israel and was exterminated by a skilled sniper working for Mossad. Again, the alternative truth was useful to the powers-that-be, because it emphasised that anyone speaking out against the Israeli government or Zionism would be risking their life. Kash Patel, Donald Trump's FBI chief, implied to the more alert critic that Kirk was not killed, because he hoped to see the allegedly deceased in Valhalla (the name of the federal witness protection programme, which can give a person a new identity).
Whenever a major incident occurs, the most popular alternative media figures (e.g. Alex Jones, Joe Rogan, Russell Brand) typically follow the lead given for critical thinkers by the scriptwriters.
It is not too extreme to start from the position that the presented story is completely false: the burden of proof should be on the official reporter rather than the critic. The only important consideration is the desired outcome: why are they doing this?